Norton, 2005) Joseph Horowitz, Moral Fire: Musical Portraits from the America's Fin de Siecle (Berkeley: University of California Press, 2012) Joseph Horowitz, Wagner Nights: An American History (Berkeley: University of California Press, 1994) Lawrence W. Gienow-Hecht, Sound Diplomacy: Music and Emotions in Transatlantic Relations, 1850-1920 (Chicago: University of Chicago Press, 2009) Charles Hamm, Music in the New World (New York: Norton, 1983) Joseph Horowitz, Classical Music in America: A History of Its Rise and Fall (New York: W.W. Norton, 2001) John Dizikes, Opera in America: A Cultural History (New Haven: Yale University Press, 1993) Jessica C.E. For studies that consider classical music in nineteenth-century America, several of which I cite in this introduction, see Michael Broyles, Beethoven in America (Bloomington: Indiana University Press, 2011) Gilbert Chase, America's Music: From the Pilgrims to the Present (Urbana: University of Illinois Press, 1987) Richard Crawford, America's Musical Life: A History (New York: W.W. In a number of the endnotes for Dangerous Melodies, I suggest that readers might wish to consult the website for additional source material.
0 kommentar(er)
